Styx, the enduring Chicago-based AOR-prog veterans, have once again captivated audiences with their 18th studio album, “Circling From Above,” which continues their impressive prog-orientated renaissance. Following the success of their 2017 concept LP, which envisioned a 2033 mission to Mars, and 2021’s “Crash of the Crown,” this latest offering firmly establishes the band’s continued relevance and musical prowess in the modern era. While the album’s overarching concept might feel slightly understated compared to its predecessors, the sheer quality and depth of the music itself unequivocally take center stage, cementing its place as a significant addition to their discography.
Listeners diving into “Circling From Above” will immediately appreciate the inspired and uniformly excellent music that defines this latest album release. The initial tracks evoke a distinct “Dark Side of the Moon”-era Pink Floyd sensibility, hinting at progressive rock’s golden age. However, the sound quickly evolves, broadening into a captivating King Crimson-esque territory, showcasing Styx’s versatility and their willingness to explore diverse musical landscapes while remaining true to their core identity. This dynamic progression ensures a fresh yet familiar experience for both long-time Styx fans and new listeners alike.
A notable element within the album is the pervasive flamboyant rock musical feel, serving as a powerful homage to Styx’s iconic 1981 album, “Paradise Theatre.” This theatricality adds layers of depth and emotion to the tracks, enhancing the listening experience and reinforcing the band’s mastery of songcraft. It’s a testament to their enduring creativity that they can weave such intricate narratives and moods through their instrumentation and vocal arrangements, making each song a mini-epic in its own right and solidifying this music review’s positive outlook.
As expected, James Young lends his signature presence to “Circling From Above,” delivering his distinct, slightly theatrical Shakespearian baritone on the harmonica-infused rocker, “To Those.” His contribution perfectly encapsulates the blend of vintage and fresh sounds that the album masterfully sets out to achieve. This unique vocal delivery, combined with the intricate instrumental work, is undeniably part of the fun and charm that makes Styx a band with unparalleled longevity and appeal in the prog rock genre.
Lawrence Gowan’s synth tones are particularly evocative, recalling the grandeur of blockbuster mid-70s albums like “Wish You Were Here” and “The Wall.” These carefully crafted soundscapes provide a rich sonic backdrop, creating an immersive atmosphere that transports the listener. Meanwhile, Tommy Shaw and Will Evankovich engage in a series of truly wonderful guitar solos, demonstrating their exceptional technical skill and melodic sensibility. Their interplay is a highlight, adding vibrant energy and intricate textures to the album’s compositions, further enhancing its appeal as a standout album release.
The album is further elevated by a characteristic surfeit of sublime vocal harmonies, a hallmark of the Styx sound. These layered vocals contribute significantly to the band’s distinctive style, demonstrating that Styx in 2025 is anything but a spent force. This sustained vocal excellence, combined with their continued instrumental prowess, underscores their status as pioneers and enduring legends within classic rock and progressive music. Their ability to maintain such high standards across decades is truly remarkable.
Much like recent acclaimed works from fellow veterans such as Kansas or Jethro Tull & Anderson, “Circling From Above” constitutes a powerful late-period flourish for Styx. While it may not be universally hailed as their absolute magnum opus, it certainly stands far closer to that esteemed category than one might reasonably expect from a band operating successfully in its sixth decade of existence. This music review concludes that the album release is a testament to Styx’s enduring artistry and their unwavering commitment to delivering compelling prog rock to their dedicated fanbase worldwide.
